#31
June 8, 2003
From: Lindsey Main, beanmain@yahoo.com

Leroux's blackberry brandy in celebration of one of my own projects (a group project actually)!!!!!

I just had to let you know that, two weeks ago, I reread, "The Hum of Human Cities", way too many commas here, I'm sure...I was distracted the first time I read it and couldn't enjoy it the way I wanted to. Anyway, it got me thinking about a project that me and some friends had been working on. Oh, our thing was nothing like your short story, so I don't even know why it made me think of it. I guess it got me thinking back to a more creative time.

It's a film project, sort of. My friend came up with this idea in 1993, but it didn't start taking shape until 2000 (that's when we met and became friends). I suggested that some of the dialogue could be better so he gave me what he had and told me to rewrite it. So, I did (I'm not a writer. just an okay ear.). This got him and an other friend thinking up even more ideas. So, the three of us spent hours writing together...and drinking blackberry brandy. We rewrote the thing 17 times because we kept coming up with better ideas (that and one of the locations we wrote around got torn down).

We broke up. What started out as fun became a pain in the ass. People who said they'd act for us, showed up when they wanted to. We took on the roles of the main characters ourselves. We had to get rid of characters because there was nobody to play them...more rewrites. We argued all the time. It was a mess. And we walked away from it with silent fuck you's. That was a little over a year ago. We haven't seen or spoken to each other since.

After rereading your short story, my friends were on my mind more than ever. For two weeks, all I thought about was the needless death of our project. Then my friend called and said he was sorry for being an asshole and could we give it another shot. So I said sorry too and yesterday, we met up with our other friend and had blackberry brandy.

Maybe it would've happened sooner or later, but for now, I'm chalking it up to "The Hum of Human Cities". So...thanks.

Don't worry, I'm not a pub stalker. I'm just really excited about the project and thought to pass the joy along. After all, it was your story that got me thinking so hard.

Thanks again.

Lindsey

Oh, I almost forgot... If anyone is curious, it's a pg-13 sci-fi, action-adventure, comedy, spy, romance series. It'll be a whole bunch of 15min. shorts. Sort of like watching a comic book. Fun not deep or enlightening.

I'm curious! It's been a while since you sent this in (my bad, sorry)—any developments?

Passing joy along is a Good Thing. I appreciate it. It would be nice to think that Hum had something to do with it (see related comments about story in Q30), but in the end you and your friends made the choice to reconnect. Choice is what it's about. Choosing to pick up the phone. Choosing to have the conversation. Or choosing not to. You did the work, you get the blackberry brandy (smile). I hope everyone has a great time together, whether the project gets done or not.

This got me thinking about process (Lindsey, this isn't about your specific story... just me wandering off into the woods of management theory). There's an assumption down deep in our culture that if people have the burning desire to achieve a particular result, it will happen as if by magic... and if it doesn't, it's because someone screwed up or wasn't really committed, or whatever. And that's just not always the case. Bad process brings bad results, even with all the goodwill in the world among the players. How we do things may not be the sole priority, but it's important. The biggest conflicts I had in my corporate life revolved around this issue: I worked with some executives who were adamant that process was bullshit: it didn't matter how chaotic our everyday was as long as we made the numbers and did the deals. These same folks were so surprised that the Project Management team of 26 people could manage half a billion dollars of product development in a year with fewer mistakes and less stress and more workplace happiness than ever before. Huh, they said, scratching their heads. What's the secret? And when it turned out the secret was in communication, process negotiation and re-negotiation, accountability without abuse, clear descriptions of who was responsible for what, etc... oh, the horror! I could never do that! To which my response was (and still is), what an asshole. Anyone can do it. It's just a job skill.

But whose fault is this? Our culture has historically valued independence and bootstrapping more than collaboration and community. "Everyone knows" that results without process is better than process without results. My question is, who decided this had to be an either/or equation? And my thinking, more subversively, is that sometimes process is more important. Sometimes it's better to have agreements about working together so that people don't have to disconnect in order to maintain their own boundaries or manage their disappointment. If Nicola and I ever collaborate on something, what counts more: the published book (or screenplay, that'd be fun!), or the next 50 years of our relationship? Well, duh. So why, why, why aren't these skills part of a child's basic education? We teach our kids how to be competitive and encourage them to assert their individuality, and then wonder why they grow up with fractured notions of community and the belief that winning is an exclusive activity rather than an inclusive one. It seems that recently a balancing force has come into play in schools—I hear more about kids being exposed to conflict management skills, collaborative activities, etc. I hope this is true. I don't think we should raise a bunch of polite robots—just people who understand that if we're all going to take so much pride in being individuals, it means we have to do a little more bridging work in order to get a group result. That's my vision. Have our cake and eat it together.

Rant off (grin). This is all coming up for me in part because of my learning more about Deaf history and Deaf culture, and the particular assumptions that exist in American (hearing) culture about what is language, what is communication, and how do we assign class and status based on those things? We read a book called Everyone Here Spoke Sign Language by Nora Ellen Groce that was instructive. She's a researcher who traced the origins of hereditary deafness on Martha's Vineyard, where for most of the nineteenth and the beginning of the twentieth century a huge percentage of the population was deaf. During that time, everyone in the community, hearing and deaf, was multi-lingual in some combination of spoken English, written English, and sign. She was able to talk to elders who were alive during this time, and without exception they didn't differentiate between deaf and hearing status. When asked to remember people who were "handicapped," they would pull out examples of people losing limbs or with some sort of mental disability. When asked specifically about deafness, one woman said, "Those people weren't handicapped. They were just deaf." No one was denied access to the community based on language modality.

Yikes, I'm not going to get started again. Rant control engaged. But my corporate skills and my cultural learning and my concerns as a writer (story, connection, the human heart) are beginning to mesh in some pretty interesting ways.

#30
June 8, 2003
From: Lindsey Main, beanmain@yahoo.com

Note: See Q29 for the context for Lindsey's comments.

Hmm...Yes, she does have an unbelievable amount of energy. It drives me and my brother crazy sometimes.

There were a couple of misprints in that article. My mom says that, "work is a four-letter word, but when you do it, you get back another four-letter word... love", not "love and work are four-letter words". And I don't know where they got twelve adopted kids from. It's my brother (bio.), me (adopted--thank god, karma, energy, whoever because I don't think I would've made a good Angela Salerno), and four fosters that we haven't seen in a very long time... So, it has been just me and my brother for quite a while. For a few years anyway, there were six of us. But, I'm sure if there had been thirteen of us, she would have dealt with it just the same (she became a single parent overnight. walked not died).

Then, she needed that focus and energy. She put us all in the van one night and drove us through the projects. We'd never seen them before. Broken toys and lawn chairs out in the concrete yards in the middle of winter. "We can live here or we can work. What do you want to do?". We said, "work". And we did. Non-stop. Asses off. What had been a hobby for my mom, became a business when someone called to hire her to do a show. We did almost 200 shows a month every month for two years. It was a big exhausting blur. I was eight by then, and even though I continued to help her out until high school, something about the shows left behind a nasty aftertaste. I think smiling for strangers when our elevator crashed made every show feel like a lie. Something about it just stuck in my head.

Of course all that is different now, and it's long since gone back to being a hobby and my mom has hired help.

Lately, she's been doing a lot of shows at teen lock-down facilities and alternative learning schools. I help her out sometimes when her other helpers are unavailable. Those are the best shows because I really get to see what she does. We get in the room and set up and these kids come in with these attitudes... And I don't blame them. Most of them have been told that they are pieces of shit. They've been wrecked and they're angry. They come in and look at us like, "who the fuck are you? why the fuck are you here? take your fuckin' animals home 'cause I don't give a fuck about them or you. It's nothing like a blue and gold banquet or a birthday party. She breaks out the more personal stories for these kids. The kind of stories I hardly ever tell because I don't want anyone to feel bad for me or my family. Maybe it's the humor she uses or maybe these kids can relate to what she's saying... I don't know. But midway through her presentation, the room isn't so angry, people are laughing, asking all kinds of questions, holding animals they didn't even want to see and someone who may have looked emotionless at the beginning, now looks like they have so much to say. Those are the times when I think, Wow. This woman is changing a little piece of the world. And she's my mom. Cool. I know that sounds extremely cheesy, but it's true.

Interestingly, that article came from the Lakeview Manor newsletter... Lakeview Manor is the new name of those projects we drove through.

Lindsey

Doesn't sound cheesy at all to me. I believe there's no power in the 'verse like the moment that two people experience a connection.

I believe in stories. They're good for so many things—teaching, integrating new information, connecting, distancing ourselves, praising, punishing. In some ways story is at the heart of all human interaction. Here's what I did when I was 12 and my parents got divorced. Here's what happened to my friend. Here's how you and I are different. Here's how we are the same. I remember... Personal stories can be such a powerful bridge. Sometimes they're a momentary recognition, like a smile I give a stranger on the street. Sometimes they're just a way of making myself hideously vulnerable without getting anything back. Sometimes they're a lifeline for someone in a way that I may never anticipate or realize. But stories are always a gift. I like to give them and receive them, and I'm not likely to ever trust someone who isn't willing to tell their own stories and listen to the stories of others. Good for your mom. She sounds like one of the Great Connectors.

I'm not just talking about the Big Stories; even the small stuff can make unexpected connections between folks. But the big stories can make a big impact. I think I understand what it might have been like for you helping out your mom, hearing her talk about your lives to strangers. Particularly those parts that might make people feel sorry for you, or give them just a little too much of a window into your world. I've been there.

One of the things that my class did in preparation for our reunion (sorry to go on about this, those of you who have had enough nostalgia can skip the rest of this) was to put together a "Reunion Book." We filled out questionnaires, and the answers were collected into a booklet along with recent (or old) pictures. There were some evocative questions. And of course, all my memory comes back to me in the form of story, however abbreviated. So, Lindsey, thanks for your stories, and here are a few of mine.

St. Paul's School 25th Anniversary Questionnaire

Kelley Eskridge
Occupation/Employment: writer

Partner's Name: Nicola Griffith

Partner's Occupation: novelist

Colleges/Universities and Degrees
BA Theatre Performance, University of South Florida

Public and Community Service Involvement
Various volunteer activities in the Deaf and Deaf-Blind communities, as part of my study of American Sign Language and interpreting.

Describe a favorite memory or moment at St. Paul's
I had so many. Sneaking back onto campus with Jordie Hawley so late one night that even Checker Cabs was closed, and we had to hitch a ride (first time I ever did that!). The girls' first boat winning Worcester even after one of our oarlocks popped and the race had to be started over. Time spent alone in the woods, or the boat docks, or Little Turkey—part of me knew that I might never again get so much uninterrupted beauty and peace and space for myself. Time spent with friends. Almost any night at the Coffeehouse. All the conversations. Dances. Autonomy. Buying the first poster and the first piece of jewelry I ever picked for myself, at Isis & Rasputin (I still have both). Jon Sweet waking me up with a bottle of champagne because we'd kicked everyone's ass at the debating championships. Checker delivering late-night ice cream. John Tweedy leaving a $200 check in my mailbox after he saw me crying because I couldn't afford to reserve my place in the freshman class at Northwestern, a kindness done with such unintrusive grace that it set a lifelong standard for me. Lying in the snow outside Upper, watching my first meteor shower. How it feels to have people throw you in the pond because they like you. Roaring down Fisk Hill in the dark on a borrowed bicycle at a thousand miles per hour after the last crew party. Peppermint ice cream with chocolate syrup. The first time I stepped onto campus, for my tour and interview, and realized that there was a bigger life outside of Tampa, Florida: I fell in love with the school and the life in that moment, and I've never looked back.

What did SPS best prepare you for?
To learn in new situations—to see things clearly and suss them out for myself, instead of waiting to be told what to think.

What did you NOT learn at St. Paul's that you wish you had?
How to have the confidence of a 42-year-old.

What is your proudest accomplishment?
I've learned to live large, love unreservedly, build a marriage, be brave, appreciate difference, embrace joy, clean up my own mess, dream big dreams and then be responsible for whether I get them or not. Everything else is details.

If you could be granted one wish now, what would it be?
A miracle cure for multiple sclerosis.

What do you really hope to accomplish in the next 25 years?
Write and publish beautiful, powerful books. Interpret a U2 concert in ASL. Have 25 years of food, drink and conversation with Nicola. Learn screenwriting. Take another trip down the Colorado River through the Grand Canyon. Cherish the people I love. Cherish myself. Meet new fascinating people and have some of them become life-friends. Dance more. Go farther than I ever imagined. Be joyful.

Any other thoughts or comments you'd like to share with your Formmates?
Life is short and the world is wide, and there are plenty of ways to be happy. I hope we have all found some.